We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

THE STERLING BROWN PROJECT: CORNELIUS EADY & ROUGH MAGIC with Rowan Ricardo Phillips

by Cornelius Eady and Rough Magic

supported by
/
1.
Slim in Atlanta Poem Sterling A. Brown. Music Cornelius Eady Down in Atlanta, De white folks got laws For to keep all de niggers From laughin' outdoors Hope to Gawd I may die If I ain't speakin' the truth Make de niggers do deir laughin' In a telefoam booth Slim Greer hit de town An' de rebs got him told,- 'Dontcha laugh on de street, If you want to die old." Den dey showed him de booth, An' a hundred shines In front of it, waitin' In double lines. Slim thought his sides Would bust in two Yelled, "Lookout, everybody, I'm coming through!" Pulled de other man out, An' bust in de box, An' laughed for four hours By de Georgia clocks. Den he peeked through de door, An' what did he see? THREE hundred niggers there In misery. - Some holdin' deir sides Some holdin' deir jaws, To keep from breakin' De Georgia laws. An' Slim gave a holler, An' started again; An' from three hundred throats came a groan of pain. An' everytime Slim Saw what was outside, Got to whoopin' again Till he nearly died. An' while de poor critters Was waitin' deir chance, Slim laughed till dey sent Fo' de ambulance. De state paid de railroad To take him away; Den, things was as usual in Atlanta, GA.
2.
Arkansas Chant Poem: Sterling A. Brown. Music Cornelius Eday The devil is a rider In slouch hat and boots Gun by his side Bull whip in his hand. The devil is a rider; The rider is a devil Riding his buck stallion Over the land. The poor-white and nigger sinners Are low-down in the valley. The rider is a devil And there’s hell to pay. The devil is a rider, God may be the owner, But he’s rich and forgetful, And far away.
3.
4.
Mose 03:50
Mose Poem Sterling A. Brown. Music Cornelius Eady Mose is black and evil And damns his luck Driving Mister Schwartz’s Big coal truck. He’s got no gal, He’s got no jack. No fancy silk shirts For his back. But summer evenings Hard Luck Mose Goes in for all The fun he knows. On the corner kerb With a sad quartette His tenor peals Like a clarinet O hit it Moses Sing att thing But Mose’s mind Goes wandering--- And to the stars Over the town Floats, from a good man Way, way down --- A soft song, filled With a misery Older than Mose Will ever be.
5.
Maumee Ruth 02:42
Maumee Ruth Poem Sterling A. Brown. Music Cornelius Eady Might as well bury her And bury her deep Might as well put her Where she can sleep Might as well lay her Out in her shinny black And for the love of God Not wish her back Maum Sal may miss her— Maum Sal, she only --- With no one now to scoff Sal may be lonely…. Nobody else there is Who will be caring How rocky was the road For her wayfaring Nobody be heeding in Cabin, or town That she is lying here In her best gown Boy that she suckled--- How should he know, Hiding in city holes Sniffling the ‘snow’? And how should the news Pierce Harlem’s din, To reach her baby gal, Sodden with gin? To cut her withered heart They cannot come again, Preach her the lies about Jordan, and then Might as well drop her Deep in the ground Might as well pray for her That she sleep sound
6.
7.
He Was A Man 07:53
He Was a Man Poem Sterling A. Brown. Music Cornelius Eady It wasn’t about no woman, It wasn’t about no rape, He wasn’t crazy, and he wasn’t drunk, An’ it wasn’t no shooting scrape. He was a man, and they laid him down. He wasn’t no quarrelsome feller, And he let other folks alone, But he took a life, as a man will do, In a fight to save his own, He was a man, and they laid him down. He worked on his little homeplace Down on the Eastern Shore, He had his family, and he had his friends, And he didn’t expect much more, He was a man, and they laid him down. He wasn’t nobody’s great man, He wasn’t nobody’s good, Was a po’ boy tried to get from life What happiness he could, He was a man, and they laid him down He didn’t abuse Tom Wickley, Said nothing when the white man curst, But when Tom grabbed his gun, he pulled his own, And his bullet got there first, He was a man, and they laid him down. Didn’t catch him in no manhunt, But they took him from a hospital bed, Stretched on his back in the nigger ward, With a bullet wound in his head, He was a man, and they laid him down. It didn’t come off at midnight Nor yet at the break of day, It was in the broad noon daylight, When they put po’ Will away, He was a man, and they laid him down. Didn’t take him to no swampland, Didn’t take him to no woods, Didn’t hide themselves, didn’t have no masks, Didn’t wear no Ku Klux hoods, He was a man, and they laid him down. They strung him up on Main Street, On a tree in the Court House Square, And people came from miles around To enjoy a holiday there, He was a man, and they laid him down. They hung him and they shot him, They piled packing cases around, They burnt up Will’s black body, ‘Cause he shot a white man down. “He was a man, and we’ll lay him down.” It wasn’t no solemn business, Was more like a barbecue, The crackers yelled when the fire blazed, And the women and the children too--- “He was a man, and he laid him down.” The Coroner and the Sheriff Said: “Death by Hands Unknown.” The mob broke up by midnight, “Another uppity Nigger gone--- He was a man, an’ we laid him down.”
8.
9.
Long Track Blues Poem Sterling A. Brown. Music Cornelius Eady Went down to the yards To see the signal lights come on; Looked down the track Where my lovin’ baby done gone. Red light in my block, Green light down the line; Lawdy, let yo’ green light Shine down on that babe o’ mine. Heard a train callin’ Blowin’ long ways down the track; Ain’t no train due here, Baby, what can bring you back? Brakeman tell me Got a powerful ways to go; He don’t know my feelin’s Baby, when he talkin’ so. Lanterns a-swingin’; An’ a long freight leaves the yard; Leaves me here, baby, But my heart it rides de rod. Sparks a flyin; Wheels rumblin’ wid a might roar; Then the red tail light And the place gets dark once more. Dog in the freight room Howlin’ like he los’ his mind; Might howl myself If I was the howlin’ kind. Norfolk and Western, Baby, and the C. & O; How come they treat A hardluck feller so? Red light in my block, Green light down the line; Lawdy, let yo’ green light Shine down on that babe o’ mine.
10.
Southern Cop 03:50
Southern Cop Poem Sterling A. Brown. Music Cornelius Eady Let us forgive Ty Kendricks. The place was Darktown. He was young. His nerves were jittery. The day was hot. The Negro ran out of the alley. And so he was shot. Let us understand Ty Kendricks. The Negro must have been dangerous, Because he ran; And here was a rookie with a chance To prove himself a man. Let us condone Ty Kendricks If we cannot decorate. When he was found what the Negro was running for, It was too late; And all we can say for the Negro is It was unfortunate. Let us pity Ty Kendricks, He has been through enough, Standing there, his big gun smoking, Rabbit-scared, alone, Having to hear the wenches wail,
11.
Frankie and Johnny Poem Sterling A. Brown. Music Cornelius Eady Oh Frankie and Johnny were lovers Oh Lordy how they did love! Old Ballad Frankie was a half-wit, Johnny was a nigger, Frankie liked to pain poor creatures as a little ‘un, Kept a crazy love of torment when she got bigger, Johnny had to slave it and never had much fun. Frankie liked to pull wings of living butterflies, Frankie liked to cut long angleworms in half; Frankie liked to whip curs and listen to their drawn out cries, Frankie liked to shy stones at the brindle calf. Frankie took her pappy’s lunch week-days to the sawmill, Her pappy, red-faced cracker, with a cracker’s thirst, Beat her skinny body and reviled the hateful imbecile, She screamed at every blow he struck, but tittered when he curst. Frankie had to cut through Johnny’s field of sugar corn Used to wave at Johnny, who didn’t ‘pay no min’ – Had had to work like fifty from the day that he was born, And wan’t no cracker hussy gonna put his work behind – But everyday Frankie swung along the cornfield lane, And one day Johnny helped her partly through the wood, Once he had dropped his plow lines, he dropped them many times again, Though his mother didn’t know it, else she’d have whipped him good. Frankie and Johnny were lovers, oh Lordy how they did love! But one day Frankie’s pappy by a big log laid him low, To find out what his crazy Frankie had been speaking of; He found that what his gal had muttered was exactly so. Frankie, she was spindly limbed with corn silk on her crazy head, Johnny was a nigger, who never had much fun--- They swung up Johnny on a tree, and filled his swinging hide with lead, And Frankie yowled hilariously when the thing was done.
12.
13.
Old Lem 03:25
Old Lem Poem Sterling A. Brown. Music Cornelius Eady I talked to old Lem And old Lem said: “They weigh the cotton They store the corn We only good enough To work the rows; They run the commissary They keep the books We gotta be grateful For being cheated; Whippersnapper clerks Call us out of our name We got to say mister To spindling boys They make our figgers Turn somersets We buck in the middle Say “Thankyuh, sah” They don’t come by ones They don’t come by twos But they come by tens. “They got the judges They got the lawyers They got the jury-rolls They got the law They don’t come by ones They got the sheriffs They got the deputies They don’t come by twos They got the shotguns They got the rope We git the justice In the end And they come by tens. “They fists stay closed Their eyes look straight Our hands stay open Our eyes must fall They don’t come by ones They got the manhood They got the courage They don’t come by twos We got to slink around Hangtailed hounds They burn us when we dogs They burn us when we men They come by tens … “I had a buddy Six foot of man Muscled up perfect Game to the heart They don’t come by ones Outworked and outfought Any man or two men They don’t come by twos He spoke out of turn At the commissary They gave him a day To git out the county He didn’t take it. He said ‘Come and get me’ They came and got him And they came by tens. He stayed in the county --- He lays there dead. They don’t come by ones They don’t come by twos But they come by tens.”
14.

about

The poems of African American poet Sterling A. Brown (1901-1989), set to music by Cornelius Eady, and arranged and performed by the band Rough Magic, w/ guest readings by poet Rowan Ricardo Phillips.

credits

released January 18, 2021

ROUGH MAGIC:

Cornelius Eady: Acoustic Guitar, Mountain Dulcimer, Loops, and Vocals

Robin Messing: Vocals (lead vocals on “Maumee Ruth” and “Long Track Blues”)

Charlie Rauh: Electric Guitar

Concetta Abbate: Violin, and Vocals

Lisa Liu: Electric Guitar and Keyboard

Emma Alabaster: Electric and String Bass, Musical Director, Vocals

Leo Ferguson: Drums, Percussion, Keyboard, Producer

license

all rights reserved

tags

about

Cornelius Eady New York, New York

Cornelius Eady is the author of 8 books of poetry, lives in NYC and is the co-founder of Cave Canem. The band Rough Magic came out of the sessions for his CD/Chapbook BOOK OF HOOKS. (Kattywompus Press, Jan. 2013)

contact / help

Contact Cornelius Eady

Streaming and
Download help

Redeem code

Report this album or account

If you like THE STERLING BROWN PROJECT: CORNELIUS EADY & ROUGH MAGIC with Rowan Ricardo Phillips, you may also like: